Saturday, 28 November 2015

Traditional Elizabethan

Traditional Elizabethan

In this blog I am writing about how to create an original Elizabethan look to start this I used the Illamaqua white skin base as Elizabethan women would have white pale skin to show how high they were in Royalty as the working class would have tanned skin from working outside so by having pale skin this highlights their status. After the foundation I used the supercolour and a disposable maraca wand and brush it through the brow both ways. Also using the same tool and white supercolour brushed this through the eyelashes, making the model look down therefore first brushing it down, then up and then across on the bottom lashes doing this on both eyelashes. For the blush I got my model to smile and with a round brush put on a pink blush on the apples of my models cheeks. To finish the look I used a red lipstick from the lip pallet and either using a brush or your finger dabbed onto the lips.  

Products:
- illamasqua white skin base 
- kabuki brush 
- blush pallet 
-rounded brush
- supercolour pallet
-lip pallet
-angled brush
-disposable wand 
- foundation flat brush
-matt primer






Examples:

Here are some traditional examples of Elizabethan make-up that I have found my version is following these kinds of concepts that are shown below. Most Elizabethan looks will always include a white base for the skin as this show the concept of how rich you are which is explained in a previous blog and rosy cheeks were always included too. Most looks in this era are to show off how much money you owned or to reflect certain emotions/feeling as most people in this era could not read or write therefore colours had meanings that would portray things. For example in most of Queen Elizabeth 1st painting she wore pearls which was too represent her virginity as white is the colour purity and pearls are an expensive item. To see an example of this era of look being recreated click on this link.

























By Amelia Richmond-Knight

Contouring

Contouring

In this Blog I will be writing about how to contour. To start the contouring first you have to start with your base so as written in my other blog I put on the foundation and concealer making sure it matches the skin. We were taught when contouring if you were unsure of the placement of were the contour is feel lightly with your thumb to wear the cheekbones are and brush the contour down under it or get your model to suck their cheeks in. Always contour under the cheekbone and then highlight lightly on the bone as this brings it out. Then to finish cheeks you can lightly add a light blush, making your model smile to put it on the apples of the cheeks. Other, places can be contoured too like up the sides of the nose, under the chin and around the forehead but remember to keep it light as its a beauty make-up look we were trying to achieve meaning we would want to keep it subtle.

Products:
-foundation
-matt primer
-foundation flat brush
-concealer pallet
-small flat brush
-powder
-powder puff
-contour pallet
-blusher pallet
-round brush






By Amelia Richmond-Knight

Partners:Final Make-up

Partners:Final Make-up

This is my final outcome of my partners make-up design, I believe that the overall look went well as I completed the whole look in the dedicated time. I started the look by cleaning my partners face with cleaners and toner and then primed the face. Then using a liquid highlighter I put this all over the face like a primer which my partner wanted as she wanted the shimmer look for her make-up instead of a mac look. For the base I used a foundation and the illamaqua white foundation and used a beauty blender putting this evenly over the face. I powdered under the eyes so that were the skin is thinner it would keep the product on better but not too much as my partner wanted a shiny/dewy look rather then matte. Then continuing with the shiny look I used a powdered highlighter and highlighted the forehead, nose and cheekbones. Then I contoured and blushed the cheeks making the contour dark and the blush very pink and vibrant. For the eyes I used a cream base and then in the crease used a brown both from the M.A.C pallet. Then for the eyebrows my partner wanted feral brows which I ran through with white from the supercolour pallet. For the lips I used a dark rues colour and put that in the center of the lips and then used what was left of the foundation/white base mix in the outer corners of the lips. To finish off the look on the crease line of the eyes I stuck on small white pearls with eyelash glue for extra detailing. Overall I believe I achieved this look quite well and improved on my contouring as in the first practices it was not as blended.

Products:
- Matt primer
- highlight gel
- beauty blender
- powder highlighter
-pink blush
- dark rues lipstick
-illamasqua white base
- disposable wand
- eyelash glue
- small white pearls
- mascara
- contour pallet
-contour brush
-angled brush
-eye shadow pallet
-flat brush 
   




By Amelia Richmond-Knight

Thursday, 19 November 2015

Partners Make-up design

Partner Make-Up Design

The First Practice:

This is my partners final design for the Elizabethan look and I have been practicing this design to perfect the look to the best that I can. The overall look first has a white base mixed with foundation which I have put on with a beauty blender which I buff all over the skin as my partner wanted a really clean finished look. I then did this with a light foundation and added the white based to do the under eyes which I then put loose powder on top of which is called baking. When leaving the powder to 'bake' under the eyes I then did the eye shadow which was a nude lid with a hint of liquid metal gold in the corner of either eye which gave the look more detail but the main detail were the pearls above the lid. The pearls were individually placed on by using eyelash glue along the crease line and then winged out which made the eye appear longer. Then after completing the eyes I brushed off the loose powder under the eyes with any fallout that may have come from the eye shadow too. Then moving back to the face, I contoured the cheeks with a gold/brown colour and then applied the blush lightly on the cheeks which really stood out against the pale skin. Too complete the eyebrows I used a maracara wand and the white supercolour to run through the hairs to create a messy eyebrow look which matched the clumpy black eyelashes which my partner wanted in her look. to finish off the whole look is finally the lips which I lined with a dark red liner and then colour in the main lip with and then in the center of the lip rub in a tiny bit of black eye liner to create depth and shape, then also in the outer corners of the lips I put a bit of the white skin base and foundation mix which was blended into the main lip to make it appear smaller.

Products:
- Matt primer
- highlight gel
- beauty blender
- powder highlighter
-pink blush
- dark rues lipstick
-illamasqua white base
- disposable wand
- eyelash glue
- small white pearls
- mascara
- contour pallet
-contour brush
-angled brush
-eye shadow pallet
-flat brush 
    


To Improve:

The overall look when practicing went really well as I follow the plan that my partner has informed me of but there were aspects that I wanted to improves. For example when placing the small pearls onto the eyes of my partner I was unsure were exactly to place them as shown in the pictures below they are at different levels. So to improve for the final design I will follow the crease line on her eyes on both eyes therefore to make them even. Lastly, I need to improve on blending the foundation/white base into my partners skin as to make it smooth, clear and appear flawless as that's what my partner wants to achieve in her look. 






Thursday, 12 November 2015

Anne Vavasour: continued

Final Design: Practice 

This is my final design and as explained in my prevoius blog I decided it was the best design out of them all for these reasons stated in the other blog:

'I think its the best design overall that represents my character and her traits. I took the element from my first design of the widows peak as I really thought this made the look, look Elizabethan but at the same time makes it very contemporary with the blurred out gold highlighting the widows peak. I thought would keep the colours quite simple by using only red, gold, black and white which I think makes the look stand out more, especially because the red stands out on top of the white making the whole look appear very bold which is what I wanted to aim for as I believe my character was a very confident women. I used red as a main feature colour on the face as 'Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love'  and as it states its the colour of passion and love I believe this relates to the characters story and makes this seductive trait very clear as its so bold on the face. I wanted the eyes to be a important feature to the face so I made the eyes into a cat-eye shape which is a very modern look but I believe its a very sexy look which I think my character would have been in our modern day. Overall, I think this look speak the best for my character and her traits by having the elements of; red meaning love and lust, white showing her innocence, pink cheeks showing her motherhood and youth, the widows peak to show her intelligence, the gold to represent her relationship with Queen Elizabeth 1st and finally hints of black to represent her dark side in relationships.'        
Products:
- Foundation (healthy serum)
- white illamasqua skin base foundation
- white and black (supercolour)
-red (eyeshadow pallet)
- foundation brush
- disposable wand
-gold (MUA pallet)
- Blush pallet
- angled brush
- blush brush (rounded)
-Primer

Practice: 

This was the first practice that my partner did on me for my look and overall for the first attempt of my design I believe she performed it quite well. I decided to adapt my look slightly by adding in these black pearls around the outer of the widows peak. I decided to put these black pearls in because firstly as Queen Elizabeth would wear pearl as they represent purity and virginity which I know my character is not as she has been married twice, married whilst being married and had two illegitimate children, therefore the pearl being black as black being the opposite of white. When repeating the look there were a couple more things that I wanted to change for example when lining the lips with black supercolour I found that the product smudge and moved around a lot not staying in its place therefore I have decided to use black lip liner instead so the product will stay in place. Secondly, I want to add a thicker base colour to the lids of the eyes first before place the eye-shadow on as then the product will have something to stick onto as I found the eye-shadow on its own is not as thick as I would have liked it to be. I think that my parnter overall has perfromed the look well but maybe needs to add more product to the base to make the overall look bold as thats what I aimed for it to look like as a final design.

Added Products:
-black pearl sticker 
   

By Amelia Richmond-Knight

Wednesday, 11 November 2015

Anne Vavasour

Anne Vavasour: Research


My task was to choose out of nine different Elizabethan women and research into there background story which would relate to Queen Elizabeth 1st. Then when having the information to plan and design different contemporary Elizabethan looks that would best represent my character and her story. I decided to research Anne Vavasour as I found her look and story very interesting and I really wanted to recreate her story into a look that I could present.  

Anne Vavasour and Her Story:

Anne was born in 1562 and died in 1650 , she was a gentlewomen  of the bedchamber to Queen Elizabeth 1  (1580).
After only working for the Queen for a few mouths Anne became one of the six maids of honor to the Queen.
 She became the Mistress to ‘Edward de Vere’, Earl of Oxford  who was married to  Anne Cecil on December 1571.  They did not have a happy marriage  which they separated in 1576.
In 1581 Anne had given birth to Edward de Vere’s illegitimate son he was named Edward Vere but Anne was believed to have hidden her pregnancy for the nine months. Therefore when she gave birth in the maidens chambers it came to a shock.

Anne and her newborn where sent to the tower the next day along with Edward de Vere after Queen Elizabeth found he was trying to fled the country.
 Edward was released  a few months later and it appeared that their relationship ended, leaving Anne to look after her son when Edward took no responsibility to raise him.
In 1590 Anne was married to  a sea captain named John Finch but also became a mistress to Sir Henry Lee, which she then gave birth to his illegitimate son (1589). They went to then live together and stayed together until henrys death in 1611. 

 Despite Anne still being married to her first husband Anne married again to John Richardson but later she was charged with  Bigamy, charging her £2000


Main ideas:


Anne almost has a split personality, she has raised her children which gives her a very motherly element to her but she also seems to crave attention from men shown in her many affairs highlighting her as a slutty character. 
The slutty characteristics are shown within her marrying many times and having two illegitimate children. I may want to portray this thought colours like red as it means that it evokes emotions of passion, lust, sex and energy.
This may also include dark colours with hints of reds, purples etc, including lace in the neck pieces or hair and having harsh contours. To portray her as a strong sexy women.
I want to show both personalities within this look with making the hair  appear motherly/youthful highlighting her innocence which she is framed by but then her make-up acts as her other personality e.g. The dark and seductive colours.
when having the two personalities I also want to include the element that she looked after the Queen and was very close to her and royalty. So by putting small hints of gold or even in the hair having in a crown style or include pearls this could represent this stage of her life.


After brainstorming ideas that are shown above I concluded that my character must have elements of innocence in her look but also a seductive element too which would represent and show her too personalities. I research meanings of colours to find out what colours would be the most appropriate to use in my look. I found out that 'White is associated with light, goodness, innocence, purity, and virginity. It is considered to be the color of perfection' . I knew my character was not the most perfect at making the right decisions in her life but I assumed that my character would appear innocent to certain men as they found her attractive. On the other hand, the colour  'Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love' . I thought red would be the perfect contrasting colour as it says its associated with the passion, desire and love which would perfectly show my characters seductive side. 

My First Design:

This is my first design I started off with a white base mixed a with the 'Bourjour healthy mix foundation' but then I created a widows peak around the forehead and sides of the cheeks as in the Elizabethan era appearing as if you had a large forehead highlighted intelligence. The widows peak also represents the idea of innocence as I have coloured it using white supercolour which is the colour of innocence and which she is now framed by so outsiders see the innocence but once you get to know the character you see the seductive side which is why the reds are in the middle of the face. Around the widows peak I decided to have a shimmer of gold around the edge of the peak to show that the character was always very close to riches and royalty but not royal herself. On the main features of the face e.g. lips being red and the eyes purples these are the colours of seduction. Lastly, I have placed black dots under the eyebrows which are meant to represent black pearls as usually worn by Queen Elizabeth the first who wore white pearl which represented pure and virginity so by having black pearls would represent the opposite. When practicing the look I found that it was quite hard to get the widows peak equal by free-handing it, but I know that when my partner pratisies it, it will get easier but is hard on the first go. Over all the look was OK I really liked my widows peak concept as I feel the meanings behind it really symbolize my character well but I feel the actual make-up on the main features of the face don't do the look justice as its not as Elizabethan and more like high street make-up.  






















Second Design:

This is my second design which still has similar meanings behind the ideas but with some elements that have changed for example I again made the forehead appear larger as the red outlines a white border on the forehead making it appear larger which relates to the Elizabethan method in cosmetics of showing of intelligence. I had the red creeping up the forehead along side the white to represent the two characteristics of sex and innocence almost competing against each other in this look. I then added in a lace looking detail along the tops of the eyebrows in black, firstly as black being the opposite of white representing danger. the detailing I thought could represent the fact that she worked for the Queen and as lace is very expensive this show her close relationship to the Queen and her wealth. To add to this wealth element I then contoured the cheeks with the Illamaqua liquid gold. However, I did this look by using a stencil and the black supercolour and dabbing through with a sponge but I found this was hard to do as the two products would tend to smudge together. Overall I like my concept of my look as all the element relate to my character and the Elizabethan theme but I find that the colours of my look may make it look oriental with the black on top of the red eye shadow.         




















My third Design:

For my third design I decided I wanted to use the Illamaqua liquid metal pallet and really make my look be very bold and metallic. I mainly used the colours gold, white and silver as I knew they would represent the other side to my character, I wanted to show in this look her complete innocence and motherly side. I still stayed with the white base and gave her a gold lid to again show the close aspect to royalty and in the eyebrows, eyelashes and lips I used white supercolour as a base to again to show the innocence and then I overlaid this with both the silvers in the liquid metal pallet to make the look more vibrant and relate to the gold as well. I brought the gold around the sides of the neck also to then even further add on to the aspect of the look. Lastly, I gave her peachy blush on the cheeks to show the element, firstly of her natural beauty which I believe she would have had to match her innocence personality. Secondly, I thought the each colour cheeks represent the idea of youth and this can relate to her motherly instinct as she raised her two illegitimate children on her own. Also on my designs I have again put the black pearls under her eyebrows to show a little glimpse of her other side of the personality but I decided to leave it out when performing the look as I wanted to only show her motherly and innocence character in this look. Overall, I really like this look as it very different to the others as it only represents one side to the character and the colour pallet is very different which I think makes it very pleasing to the eye however it come across a bit more of a contemporary sci-fi look more than an Elizabethan contemporary look.        






















My final design:

This is my final design and the design I am using in my final assessment as I think its the best design overall that represents my character and her traits. I took the element from my first design of the widows peak as I really thought this made the look, look Elizabethan but at the same time makes it very contemporary with the blurred out gold highlighting the widows peak. I thought would keep the colours quite simple by using only red, gold, black and white which I think makes the look stand out more, especially because the red stands out on top of the white making the whole look appear very bold which is what I wanted to aim for as I believe my character was a very confident women. I used red as a main feature colour on the face as 'Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love'  and as it states its the colour of passion and love I believe this relates to the characters story and makes this seductive trait very clear as its so bold on the face. I wanted the eyes to be a important feature to the face so I made the eyes into a cat-eye shape which is a very modern look but I believe its a very sexy look which I think my character would have been in our modern day. Overall, I think this look speak the best for my character and her traits by having the elements of; red meaning love and lust, white showing her innocence, pink cheeks showing her motherhood and youth, the widows peak to show her intelligence, the gold to represent her relationship with Queen Elizabeth 1st and finally hints of black to represent her dark side in relationships.          





















By Amelia Richmond-Knight

Thursday, 5 November 2015

Sugar skulls

Sugar skulls

In this lesson as it was near halloween we planned and designed ideas for sugar skull ideas. Sugar skulls originally comes from Mexico they believe that the gates of heaven open at midnight on October 31, and the spirits of all deceased children are allowed to reunite with their families for 24 hours. On November 2, the spirits of the adults come down to enjoy the festivities that are prepared for them which they paint their faces in celebration of being re-united with the dead. I started my research of planning my sugar skulls by looking at reference pictures of the internet and also by watching different youtube videos. I decided to go with a pink colour scheme as to make it a bit more girly instead of scary but include other details from other reference picture that I liked.


 I created this face chart with the ideas from other reference images and I really liked my colour scheme as it was girly but by adding elements like black paint and the spider web I believe this added the element of horror which I wanted to include as well. I really enjoyed making this face chart as face paints and special effects is an element of make-up I am very fond of. 



I believe the application was quite good I started with the white based from the super colour palette which gave me a very thick based of which I needed,I then buff it into the skin to create a smother finish. Then I took the pink super colour using the buffing brush and buffed it into areas where the light would hit the face e.g. the cheekbones, forehead chin etc. After completing the base I moved on to outlining the eye details with black super colour and then filling in all the eye detail further with colours like gold, purple and pinks. After completing the eyes I moved onto the mouth, outlining with the black super colour again and then filling in with white super colour to create teeth. Lastly to finish off I added in all the detail around the face e.g. the swirls and dots which added a bit more detail and interest to the face. 


Products:
-white face paint 
-beauty blender 
- black super colour
- pink eyeshadow 
-contour/angled brush 
- yellow and purple super colour
-angled brush

Reflect:
To improve my look and if I was to complete this again I would have planned my time better as I did not get time to add in all the detail I wanted too e.g the spider web which I believe would have improved the look. Another aspect that I would improve is that the eye petals are too close together meaning that they slightly touch and overlap which I think looks at bit messy so I would have changed this to make the look appear neater, again which I could have achieved in more time.

eyebrows,eyeshadows and lips

Eyebrows,Eye shadow and Lips:

In this blog I am writing about the technique and application of eyebrows,eye shadow and lips. When learning how to colour in the eyelid we first had to analyse what shape the eyelid was therefore to determine how to shade in the lid for its type. Firstly, I started off by putting on a foundation base and concealer (which is shown in another blog) and then powered under the eye so if there was any fall out from the eye shadow you could brush it away at the end. I started by priming the lid and then finding that my client has wide set eyes meaning I would fill the lid with a base colour and then smoke out a darker colour in the crease. I decided to go with two mac colours from the M.A.C pallet that where a light beige and then a darker brown. To start applying the eye shadow I took a small eye shadow brush, using the light beige colour you pull the corner of the eyelid very gently and place on the eye shadow base as normal. When putting the base on you do this to both side before smoking out the brown and the reason for pulling the corner of the eye lid is to prevent the product creasing when the client closes the eye. Then when putting the brown eye shadow product onto the brush I did the same again by pulling the eye lid lightly but this time working from the crease, an outwards towards the face to create a smoky eye. When this look is complete we move onto the eyelashes and by using the disposable wands I took a bit of mascara and working on the top lashes firstly, brushed downwards, then upwards. Lastly, on the bottom lashes just brushing the product side to side and carry on this look until the desired effect. Then to finish off the eye brush away the loose powder from under the eyes with a powder brush to get rid of any fall out from the face.


To finish off the eye look we were taught how to apply product to the eyebrows to create our desired natural brow. Using a colour from the M.A.C pallet again for the brow which I thought was most suitable for my client I then took a clean disposable wand and placed the product onto it. Starting from the inside of the brow I lightly touched the hair and brush in the direction of hair growth. Then continue onto the other brow and if you wish reapply until the desired effect, I only did this once as I wanted to achieve a natural looking brow. To finish of the look I took a angled brush and then by using a wooden scapular I took a light nude colour and gently applied this to to the lips. Overall, I believe this was a very useful exercise as it taught me how to apply product in the proper manner and knowing how to do a basic look which I can now expand onto any other look in the future.

Products:
- angled brush 
- MAC eye shadows 
- flat brushes 
- mascara wand 
- maraca
- brown/cream eye shadow 

By Amelia Richmond-Knight